钢铁侠与浩克：联合战记

鬼怪電影一向都是以驚嚇觀眾為目的，導演陳家蓀卻反其道而行，雖起用一向演奸人為主的石堅任主角，但角色卻是好心鬼簡人。這好心鬼不獨與男孩小吉（梁俊傑）結成好友，更幫助小吉的父親阿祖（狄龍）及母親美琪（蕭芳芳），讓他們得以冷靜處理面臨破裂的婚姻，再發覺仍互相深愛著對方。在小吉的折衷及簡人暗中幫助下，小吉父母終告復合，小吉再獲父母之愛，幸福地生活下去，而簡人亦功成身退，悄然與小吉道別……

这是一个浪漫的喜剧故事，与《西雅图不眠之夜》相似，讲的是一对离异的男女看似偶然的爱情奇遇记。 33岁的威尔是纽约当地的一个电视台的天气预报员，他离异了，8岁的儿子本是他的全部骄傲和欢乐，圣诞节到了，威尔到机场去接从母亲那里回来渡假的猴子。33岁的简是一个沉着冷静、几近完美的古董商人，她也刚刚离婚。她恰巧来到机场送女儿去芝加哥的父亲那里，一个接孩子，一个送孩子，两人在尴尬的打招呼和踌躇的道别之中，他们分手了。问题是，威尔一直在想她，这个经受着约会的折磨的男人发现，合适他的女人不是太年轻了，就是年纪太大了，只是简看上去正合适，对简来说，威尔也是一样，他比那些通过电脑婚介认识的人更真实些，她本应该问清他的电话号码，至少是名字，就这样，两个单身的纽约人彼此思念着对方，一个季节又一个季节过去了，一个假期又一个假期过去了，他们都如期去机场接送孩子，可却总是擦肩而过，无缘相见，终于有一天，他们在接送孩子时又在机场碰面了，这次他们终于鼓起勇气，和对方进行了交流之后，威尔对简恋恋不舍，展开了追求，儿子本也极力鼓舞老爸去追求简，简也很喜欢威尔，可是她的前夫理查德却又不断地亲近她，简正在左右为难时，从理的朋友口中得知了理的真正目的，毅然下定了决心，抛开了理查德的困扰，与威尔共浴爱河。

莱克斯·卢瑟试图借助时间掌控者的力量回到过去将正义联盟扼杀在摇篮中。

　　Siddartha (Dhritiman Chatterjee) is forced to discontinue his medical studies due to unexpected and brutal death of his father. He has to now find a job in stead. In one job interview, he is asked to name the most significant world event in the last ten years. His reply is 'the plain human courage shown by the people of Vietnam', instead of the expected - man landing on moon. The interviewer asks is he is a communist. Needles to say that he does not get the job.
　　He reaches a coffee shop where he is offered to work for the communist party. When he does not show any interest the party leader tells him about an opening for a medical representative. To escape from the heat and have a snooze, he goes in to a cinema. As a government propaganda newsreel is being shown before the feature, a bomb explodes in the cinema hall. In the stampede that follows, Siddartha, breaks his watch. He goes to a watchmaker but he cannot afford the repairs.
　　Waiting to cross the road, he notices a sexy girl. He drifts back to his days as a medical student in a flashback. The professor is explaining anatomy of female breast. Many flashbacks and dreams occur to Siddartha through the film.
　　On his way to hostel, he has an encounter with some hippies. Along with an ex-classmate, he goes out to see a porn film but to their disappointment, the film turns out to be not-so-pornographic.
　　In such constant wandering in a Calcutta, disintegrated relationships with his sister and a Naxalite (militant communist) brother, his friendship with Keya is only thing that keeps him sane.
　　Keya is a simple girl. They enjoy each other's company but they cannot make any commitment to each other due to the circumstances.
　　After yet another attempt at a job interview, Siddartha leaves the big city to take a modest job of a salesman in a far off small town. He writes to Keya that he still cherishes their relationship. And that he has heard that bird call again but this time it is for real, and not his mind. After completing the letter, he comes out to the balcony of his modest room. The bird calls again. He also hears the sombre chants of a funeral procession. As he turns to the camera, the picture is frozen.
　　This is the first film of the Calcutta Trilogy. The other two were and Seemabaddha (Company Limited, 1971) and Jana Aranya (The Middle Man, 1975). All the three films study the effect the big city of Calcutta has on the educated youth and the price it extracts from them.
　　The seventies were a difficult period for India and West Bengal. The Corruption was rampant; the Naxalite movement had created havoc in Calcutta. In fact, they had turned parts of Calcutta into 'liberated zones'. By the time the Naxalite movement died down, in 1975, Mrs. Indira Gandhi (then, Prime Minister of India) suppressed the fundamental rights and declared "Emergency" for her own political survival. Her son, Sanjay Gandhi became a dictator of sorts without any official designation. The opposition leaders were thrown into prisons.
　　About his social responsibilities as a filmmaker, in an interview with Cineaste magazine, Ray commented, "You can see my attitude in The Adversary where you have two brothers. The younger brother is a Naxalite. There is no doubt that the elder brother admires the younger brother for his bravery and convictions. The film is not ambiguous about that. As a filmmaker, however, I was more interested in the elder brother because he is the vacillating character. As a psychological entity, as a human being with doubts, he is a more interesting character to me. The younger brother has already identified himself with a cause. That makes him part of a total attitude and makes him unimportant. The Naxalite movement takes over. He, as a person, becomes insignificant."
　　In a letter to Seton in 1970, Ray wrote that Pratidwandi was the most provocative film he had made till then. The film is said to have evoked extreme reactions. "People either loved the film or hated it", Dhritiman Chatterjee told Andrew Robinson, Ray's biographer.

走遍全球四大洲，实时记录当下地球上的水资源状况。本片是为了揭示人类行为和气候变化对世界的影响，以及目前人类面临的水资源短缺危机，记录那些因缺水而艰难生存的人们，他们是被遗忘的那部分。让大家能关注到这群人，关注到全球水危机。

某广告公司小职员太田喜一郎（妻夫木聪饰）虽然充满热情，但是无论职场还是日常的人际交往都饱受挫折，偏偏他的上司大泷一郎（丰川悦司饰）又是自私自利、推诿塞责的人，以致于太田被他耍的团团转。这一天，即将前往圣莫尼卡广告节担当评委的大泷遇到棘手的难题，某金主客户要求自家拍的无聊广告必须在广告界上获奖，大泷转嫁危机，哄骗太田替自己去海外当评委。临危受命的傻小子先跟随资料室的镜先生（LilyFranky饰）学习评委技巧，之后拜托精英女同事阿光（北村景子饰）假扮老婆随行。在海外他们不仅遭遇强劲的对手木泽遥（铃木京香饰），还必须应对评委们千奇百怪的小伎俩。过于驽钝迂直的太田能否顺利完成不可能的任务呢？