80
3.0

Star☆Twinkle

导演:
田中裕太
主演:
成濑瑛美,小原好美,安野希世乃,小松未可子,上坂堇
别名:
未知
3.0
80人评分
日语
语言
2019-10-19
上映时间
未知
片长
简介:
有一天,拉拉的宇宙软糖盒里飞进来一只不可思议的神秘生物,小光给它取名“优玛”,这只生物无法用语言沟通,但似乎对歌声有着不可思议的神奇反应。然而这时却有一伙邪恶的宇宙猎人盯上了它,光之美少女们为了保护它与敌人展开了激烈的战斗……
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金蝉脱壳2:冥府(原声版)
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金蝉脱壳2:冥府(原声版)
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更新时间:2025年02月24日
主演:50分,西尔维斯特·史泰龙,戴夫·巴蒂斯塔,韦斯·查特姆,巴迪·沃特金斯,杰米·金,丽迪雅·赫尔,泰勒·乔恩·奥尔森,谢伊·巴克纳,阿方索·A·杰克逊,罗伯特·廷斯利,泰伦·伍德利,麦克·里德,科里·温斯顿,黄晓明,奚梦瑶,大卫·邓斯顿,唐辰瀛,乔·吉尔希翁,罗曼·米蒂齐扬,泽科·扎基,杰西·麦特卡尔菲,提图斯·维里沃,戈登·迈克尔斯,彼特·温兹,阿什利·库萨托,马克·希克斯,佩里·约翰逊,奥罗拉·卡琳,瑞恩·牛顿,德里克·瑞安·杜克,埃里克·本德罗斯,德方塔·弗里曼,罗旖凡,罗温·布赛义德,贝莉·柯伦,
简介:

越狱专家布雷斯林(史泰龙 饰)有三个学生:周树(黄晓明 饰)、卢克和金布罗,三人性格迥异,行事风格大相径庭。在保护表弟马雨声的一次行动中,周树和表弟被一起抓进一座名为“冥府”的超级监狱。布雷斯林为了营...

1818
2018
金蝉脱壳2:冥府(原声版)
主演:50分,西尔维斯特·史泰龙,戴夫·巴蒂斯塔,韦斯·查特姆,巴迪·沃特金斯,杰米·金,丽迪雅·赫尔,泰勒·乔恩·奥尔森,谢伊·巴克纳,阿方索·A·杰克逊,罗伯特·廷斯利,泰伦·伍德利,麦克·里德,科里·温斯顿,黄晓明,奚梦瑶,大卫·邓斯顿,唐辰瀛,乔·吉尔希翁,罗曼·米蒂齐扬,泽科·扎基,杰西·麦特卡尔菲,提图斯·维里沃,戈登·迈克尔斯,彼特·温兹,阿什利·库萨托,马克·希克斯,佩里·约翰逊,奥罗拉·卡琳,瑞恩·牛顿,德里克·瑞安·杜克,埃里克·本德罗斯,德方塔·弗里曼,罗旖凡,罗温·布赛义德,贝莉·柯伦,
丹麦小村教堂
328
9.0
HD中字
丹麦小村教堂
9.0
更新时间:2025年02月23日
主演:Ib Koch-Olsen
简介:The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
8343
1947
丹麦小村教堂
主演:Ib Koch-Olsen
中华未来主义
378
2.0
HD
中华未来主义
2.0
更新时间:2025年02月24日
主演:未知
简介:

  "Sinofuturism is an invisible movement. A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. It is a movement, not based on individuals, but on multiple overlapping flows. Flows of populations, of products, and of processes. Because Sinofuturism has arisen without conscious intention or authorship, it is often mistaken for contemporary China. But it is not. It is a science fiction that already exists.
  Sinofuturism is a video essay combining elements of science fiction, documentary melodrama, social realism, and Chinese cosmologies, in order to critique the present-day dilemmas of China and the people of its diaspora.
  With reference to Afrofuturism and Gulf Futurism, Sinofuturism presents a critical and playful approach to subverting cultural clichés.
  In Western media and Orientalist perceptions, China is exotic, strange, bizarre, kitsch, tacky, or cheap. In its domestic media, China portrayed as heroic, stable, historic, grand, and unified. Rather than counteract these skewed narratives, Sinofuturism proposes to push them much further.
  By embracing seven key stereotypes of Chinese society (Computing, Copying, Gaming, Studying, Addiction, Labour and Gambling), it shows how China's technological development can be seen as a form of Artificial Intelligence."

1674
2016
中华未来主义
主演:
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